Trombone Mutes

aS-Mute Trombone Straight Aluminium aS mutes offer an excellent price / performance ratio and can be attached to instruments from all common manufacturers. The mutes are of high quality and offer an easy and free response. Furthermore, the intonation is influenced very slightly, which is why the mutes can often be found in a wide variety of ensembles.

aS-Mute Trombone Wha-Wha Aluminium aS mutes offer an excellent price / performance ratio and can be attached to instruments from all common manufacturers. The mutes are of high quality and offer an easy and free response. Furthermore, the intonation is influenced very slightly, which is why the mutes can often be found in a wide variety of ensembles.

aS-Mute Trombone Solotone Aluminium aS mutes offer an excellent price / performance ratio and can be attached to instruments from all common manufacturers. The mutes are of high quality and offer an easy and free response. Furthermore, the intonation is influenced very slightly, which is why the mutes can often be found in a wide variety of ensembles.

aS-Mute Trombone Hush-Cup (Screw up) Aluminium aS mutes offer an excellent price / performance ratio and can be attached to instruments from all common manufacturers. The mutes are of high quality and offer an easy and free response. Furthermore, the intonation is influenced very slightly, which is why the mutes can often be found in a wide variety of ensembles.

aS-Mute Trombone Hush-Cup (Sliding up) Aluminium aS mutes offer an excellent price / performance ratio and can be attached to instruments from all common manufacturers. The mutes are of high quality and offer an easy and free response. Furthermore, the intonation is influenced very slightly, which is why the mutes can often be found in a wide variety of ensembles.

THE WALLACE COLLECTION-Tenor Trombone mute, Cup, Unlike any other straight mute, the concept for this mute was determined by the desire to make one mute that would play all notes, high or low, loud or quiet, all the way down to pedals and as high as you can play at all dynamics. There is a 10 mm lip which makes this mute easy to handle and secure for quick changes. You will never have played a mute that responds this well over the entire register. This particular cup mute for the trombone offers a wide range of sound effects simultaneously not compromising great response and intonation

THE WALLACE COLLECTION-Tenor Trombone mute, straight, copper bottom, Unlike any other straight mute, our concept for this mute was determined by the desire to make one mute that would play all notes, high or low, loud or quiet, all the way down to pedals and as high as you can play at all dynamics. There is a 10 mm lip which makes this mute easy to handle and secure for quick changes. You will never have played a mute that responds this well over the entire register. This particular straight mute with the copper bottom offers a darker distinct sound, simultaneously not compromising great response and intonation.

THE WALLACE COLLECTION-Bass Trombone mute, straight, aluminium, Unlike any other straight mute our concept for this mute was determined by the desire to make one mute that would play all notes, high or low, loud or quiet, all the way down to pedals and as high as you can play at all dynamics. There is a 10 mm lip which makes this mute easy to handle and secure for quick changes. You will never have played a mute which responds as well over the register. This particular aluminium basstrombone straight mute offers a distinct sound, simultaneously not compromising great response and intonation.

THE WALLACE COLLECTION-Bass Trombone mute, straight, copper bottom, Unlike any other straight mute our concept for this mute was determined by the desire to make one mute that would play all notes, high or low, loud or quiet, all the way down to pedals and as high as you can play at all dynamics. There is a 10 mm lip which makes this mute easy to handle and secure for quick changes. You will never have played a mute which responds as well over the register. This particular basstrombone straight mute with the copper bottom offers a darker distinct sound, simultaneously not compromising great response and intonation.

THE WALLACE COLLECTION-Bass Trombone mute, cup, adjustable, Unlike any other straight mute, the concept for this mute was determined by the desire to make one mute that would play all notes, high or low, loud or quiet, all the way down to pedals and as high as you can play at all dynamics. There is a 10 mm lip which makes this mute easy to handle and secure for quick changes. You will never have played a mute that responds this well over the entire register. This particular cup mute for the basstrombone offers a wide range of sound effects simultaneously not compromising great response and intonation

THE WALLACE COLLECTION-Tenor Trombone mute, studio practice, aluminium, With a unique concept with a large resonating chamber and adjustable resistance, the M19 plays every note evenly with real centre right down to the pedals. Adjust the resistance to your required setting and enjoy playing on this superb mute.

THE WALLACE COLLECTION-Tenor Trombone mute, compact practice, aluminium, A unique concept with a large resonating chamber and adjustable resistance, the M19 plays every note evenly with real centre right down to the pedals. Adjust the resistance to your required setting and enjoy playing on this superb mute.

VOIGT BRASS-Straight Mute for trombone The VOIGT BRASS-Mutes are made of an extremely light but durable and resonant fibre material. All the mutes can be used throughout the complete register without compromising the qualities of the sound. The tenor trombone mutes are available with different cork thicknesses for a perfect fit in each instrument and they create different qualities of tone. This particular straight mute is best compatible for the trombone

VOIGT BRASS-Practice Mute for trombone The VOIGT BRASS-Mutes set the standards for playing quality. They offer practically no resistance which result in an even sound when played throughout the complete register, they are robust despite its lightweight and are unbeatable in terms of intonation. As a result the demand for these VOIGT BRASS-Mutes are growing drastically over the years. As a traditional practice mute the VOIGT BRASS-Mute does not entail any assembly, wires and other forms of electronics. Ultimately, musicians are able to practise freely without any hassle This particular practice mute is best compatible for the trombone

VOIGT BRASS-Straight Mute for bass-trombone The VOIGT BRASS-Mutes are made of an extremely light but durable and resonant fibre material. All the mutes can be used throughout the complete register without compromising the qualities of the sound. The bass-trombone mutes are available with different cork thicknesses for a perfect fit in each instrument and they create different qualities of tone. This particular straight mute is best compatible for the bass-trombone

VOIGT BRASS-Practice Mute for bass-trombone The VOIGT BRASS-Mutes set the standards for playing quality. They offer practically no resistance which result in an even sound when played throughout the complete register, they are robust despite its lightweight and are unbeatable in terms of intonation. As a result the demand for these VOIGT BRASS-Mutes are growing drastically over the years. As a traditional practice mute the VOIGT BRASS-Mute does not entail any assembly, wires and other forms of electronics. Ultimately, musicians are able to practise freely without any hassle This particular practice mute is best compatible for the bass-trombone

A MUTE Straight Mute for Bass Trombone The A Mute Straight Mute for bass trombone offers good response across all registers and allows for flexible sound shaping - from soft and round to clear and assertive. The intonation remains stable. Thanks to its compact design, the mute fits comfortably in the hand and is easy to handle. The cork strips can be replaced without adhesive if necessary.

A MUTE Straight Mute for Trombone The A Mute Straight Mute for bass trombone offers good response across all registers and allows for flexible sound shaping - from soft and round to clear and assertive. The intonation remains stable. Thanks to its compact design, the mute fits comfortably in the hand and is easy to handle. The cork strips can be replaced without adhesive if necessary.

SOULO MUTE- Bucket Mute for trombone (bell max. = 20 cm) Soulo Bucket Mute is perfectly in tune in all registers (including pedal tones), has no back-pressure, and no squirelly notes. The unbreakable, coated brass clips are flexible to accommodate all bell sizes and allow for quick on and off. It is considerably lighter than all other brands. The adjustable settings allow the trombone player to blend perfectly in a section comprised of different brands of bucket mutes. The mute works great for performance and sound recordings, as it will never fall off the bell. Soulo Mute is part of the mute arsenal of trombone icons like Conrad Herwig, John Fedchock, Wycliffe Gordon, Andy Martin, Tom Bones Malone, Bill Reichenbach, Tom Garling, Reggie Watkins and many more. This mute is made in the USA.

SOULO MUTE- Bucket Mute for trombone (bell max. = 21,5 cm) Soulo Bucket Mute is perfectly in tune in all registers (including pedal tones), has no back-pressure, and no squirelly notes. The unbreakable, coated brass clips are flexible to accommodate all bell sizes and allow for quick on and off. It is considerably lighter than all other brands. The adjustable settings allow the trombone player to blend perfectly in a section comprised of different brands of bucket mutes. The mute works great for performance and sound recordings, as it will never fall off the bell. Soulo Mute is part of the mute arsenal of trombone icons like Conrad Herwig, John Fedchock, Wycliffe Gordon, Andy Martin, Tom Bones Malone, Bill Reichenbach, Tom Garling, Reggie Watkins and many more. This mute is made in the USA.

SOULO MUTE- Bucket Mute for bass-trombone (bell = 25,4cm) Soulo Mute is perfectly in tune in all registers (including pedal tones), has no back-pressure, and no squirelly notes. The coated brass clips are flexible to accommodate all bell sizes and allow for quick on and off. It is considerably lighter than all other brand. Soulo Mute offers two adjustable positions, which allow for different color sounds. It now comes with a 100% organic cotton bag to protect it from wear and tear and provide a third sound color option - a darker bucket mute sound, with the bag stuffed inside. This allows the trombone player to blend perfectly in a section comprised of different brands of bucket mutes. The mute works great for performance and sound recordings, as it will never fall off the bell. Soulo Mute is part of the mute arsenal of trombone icons like Conrad Herwig, John Fedchock, Wycliffe Gordon, Andy Martin, Tom Bones Malone, Bill Reichenbach, Tom Garling, Reggie Watkins and many more. This mute is made in the USA.

PETER GANE MUTES-Straight Mute PG026 for Tenor-Trombone All PETER GANE MUTES are made from a black fibre material and fitted with birch wood base. This particular straight mute is compatible for the tenor-trombone. Unlike many Hand Made products these days which are just hand assembled from machine built parts, Peter Gane Mutes are hand made from start to finish. The mutes start their life as a flat sheet before being cut, formed, glued, punched, riveted, scraped, sanded, corked, painted, varnished and stickered all by hand with the end result being a mute that works as well today as when they were first introduced more than 40 years ago

PETER GANE MUTES-Practise Mute PG027 for Tenor/ Bass-Trombone All PETER GANE MUTES are made from a black fibre material and fitted with birch wood base. This particular practice mute is compatible for the tenor/bass-trombone. Unlike many Hand Made products these days which are just hand assembled from machine built parts, Peter Gane Mutes are hand made from start to finish. The mutes start their life as a flat sheet before being cut, formed, glued, punched, riveted, scraped, sanded, corked, painted, varnished and stickered all by hand with the end result being a mute that works as well today as when they were first introduced more than 40 years ago

PETER GANE MUTES-Cup Mute (adjustable) -small PG028 for Tenor-Trombone All PETER GANE MUTES are made from a black fibre material and fitted with birch wood base. This particular cup mute is compatible for the tenor-trombone. Unlike many Hand Made products these days which are just hand assembled from machine built parts, Peter Gane Mutes are hand made from start to finish. The mutes start their life as a flat sheet before being cut, formed, glued, punched, riveted, scraped, sanded, corked, painted, varnished and stickered all by hand with the end result being a mute that works as well today as when they were first introduced more than 40 years ago